colsky
1K Club - QQ Shooting Star
Check out this nut job from the SH forums; his response is baffling. This guy is an idiot.
Gee whiz indeed!
Check out this nut job from the SH forums; his response is baffling. This guy is an idiot.
Check out this nut job from the SH forums; his response is baffling. This guy is an idiot.
Releasing Switched on Bach in surround would be up to Wendy Carlos, since she acquired the rights many years ago. She re-released it on both a single CD and as part of the Switched-On box set, which you need if you don't already own it. Ms. Carlos is reputed to loathe S-O-B in Quad, at least as SQ.
What does anyone give two shit's about what others like and may find interesting? What's it to him? This reminds me of this women who is a anti-marijuana advocate, like, don't you have a job? Or something better to do than trying to run others lives?
Stereo is a wonderful thing! From the day I discovered the "sweet spot" I loved the effect. Until quad came along. Life is not in stereo, it's all about you, and so are sounds. I agree with some of his concerns, regarding proper placement, and production values, who wouldn't? Common sense.
Essentially his 'rant" is concerning just that aspect-production. HE seems to disagree with himself at one point.
After all, no one really cares if he listens to 2.0 , I don't! Why should anyone care what SH chooses to do?
Check out this nut job from the SH forums; his response is baffling. This guy is an idiot.
What side are you batting for? :}
Why should i care? Feedback is the reason AF are doing 5.1 in the first place, the more positive the better. Thus, i encourage those not interested to bog off. If you do not care why respond? That is somewhat contradictory.
My understanding is that Carlos likes the Discrete Quad version of SOB but not the SQ edition. If you compare the Discrete Q8 Tape to any decoded SQ version (Tate, Audionics, SQ Final II, etc.) you'll know why. They aren't even close. The Q8 blows away the others.
Check out this nut job from the SH forums; his response is baffling. This guy is an idiot.
I’m afraid that my take on this is going to offend a few of you. I think that Steve and Kevin spending their precious time on 5.1 surround is a very bad idea....
Cheers! Mark
Looks like I may be the only Phil Collins fan here (No Jacket Required - and No Abuse Required...)
Check out this nut job from the SH forums; his response is baffling. This guy is an idiot.
Check out this nut job from the SH forums; his response is baffling. This guy is an idiot.
I’m afraid that my take on this is going to offend a few of you. I think that Steve and Kevin spending their precious time on 5.1 surround is a very bad idea.
I'd like "Face Value" in 5.1 which is my favourite. :spot
Remember Everyone...........If these babies come out like and exactly how we hope they do, We alllllll have to jump over each other to get to these ASAP.
No Box sets of vinyl or redundant schlop to get at the 5.1 Grrrrrrrrrrrrrrrrrrr
I have bought a freaking lot of 5.1 within the last year and a half of groups that I normally would not have, only because those tunes that I was or not so much into are so freaking beautiful to hear now. I know I sound like a gooooooofball, but that is how 5.1 has opened up the door for me.
I am not a big EJ fan, but lo & behold with Fredblue's avid EJism..........I gave them a try and WOW............
So I am hoping for titles that I will like, but I am willing to buy the stuff that I may be borderline or "WAS" not so much a fan of..............all for the sake of our life light that is 5.1 :51banana:
Oh btw.....just saying, has anyone noticed how the 5.1 skies may have opened up since Snood has joined QQ............Just Saying
One thing that cracked me up about his rant was that he was worried poor Steve Hoffman & Kevin Gray would spend way too much of their precious time mixing 5.1 releases. That could cause a vacuum in the stereo world! Because, he claims, it takes inordinate amounts of time to do these 5.1 projects.
Now, I don't know the actual time involved. I imagine it could eat up a lot of time if the tapes have problems and so forth. Same could be said for a stereo deal. If they are going with those mixes already done then that makes it pretty easy. Plus, if the project takes off and the demand grows, simply hire more engineers! Win win for everyone!
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