I think it's the combination of the voice being spread across the front speakers and the instrumentation in the right channel that seems to be overloading the front right channel at various points in Goodge Street and Albatross. With the voice more centralised in the stereo mix the same overload doesn't seem to be occurring (or it's a lot less noticeable). Judy's voice tends to push the limits at various times on other songs but never to the actual point of distortion so maybe it's just the combination on these couple of songs that's causing the problem. I can't imagine that Audio Fidelity would have put this out unless this replicates the master tape but some word of warning would have been nice.