There must be someone from this site that has this boxset and I am wondering is the 5.1 live of entire album performed live in 2009 and mixed by Bob Clearmountain as good as this person at bluray.com reported:
http://www.blu-ray.com/movies/The-P...-the-Edge-of-Town-Story-Blu-ray/15436/#Review
This is info on the Bluray's included:
"There are no complaints whatsoever in terms of the audio quality of any of these three BDs. All but the Houston performance offer two lossless options, LPCM 5.1 and LPCM 2.0, with a lossy Dolby Digital surround 5.1 mix thrown in for good measure. The Houston concert offers an LPCM 2.0 stereo mix. While the documentary doesn't really exploit the surround channels, other than passing immersion in some of the archival footage, the Asbury Park concert is absolutely incredible, with crystal clear audio and brilliantly discrete channelization of the instruments. In fact this recording is so superb if you're like me you will hear all sorts of interior lines in this revisiting of Darkness at the Edge of Town that you probably never before realized existed. Fidelity is incredible, with a bombastic low end and bright, but never brittle, highs. The LPCM 2.0 mix of the Houston concert is excellent, if obviously narrow. While this narrowness may indeed create a "wall of sound" sonic feel that Springsteen didn't intend, it actually serves this relatively early collection of Springsteen material very well. There's little in the way of distortion here, and while the range of this recording certainly is no match for the 2009 Paramount outing, it's a suitably punchy mix for this more than 30 year old live performance."
http://www.blu-ray.com/movies/The-P...-the-Edge-of-Town-Story-Blu-ray/15436/#Review
This is info on the Bluray's included:
"There are no complaints whatsoever in terms of the audio quality of any of these three BDs. All but the Houston performance offer two lossless options, LPCM 5.1 and LPCM 2.0, with a lossy Dolby Digital surround 5.1 mix thrown in for good measure. The Houston concert offers an LPCM 2.0 stereo mix. While the documentary doesn't really exploit the surround channels, other than passing immersion in some of the archival footage, the Asbury Park concert is absolutely incredible, with crystal clear audio and brilliantly discrete channelization of the instruments. In fact this recording is so superb if you're like me you will hear all sorts of interior lines in this revisiting of Darkness at the Edge of Town that you probably never before realized existed. Fidelity is incredible, with a bombastic low end and bright, but never brittle, highs. The LPCM 2.0 mix of the Houston concert is excellent, if obviously narrow. While this narrowness may indeed create a "wall of sound" sonic feel that Springsteen didn't intend, it actually serves this relatively early collection of Springsteen material very well. There's little in the way of distortion here, and while the range of this recording certainly is no match for the 2009 Paramount outing, it's a suitably punchy mix for this more than 30 year old live performance."