Here's the thing: the Point blu-ray was originally released in one of these super-duper deluxe boxes packed with just about every multimedia format available (well, not 8-track cartridges) on 28 August 2020. It cost €58.99 ($70) and sold out before anyone could bat an eyelid. No-one realised that there was a humdinger of a multichannel blu-ray audio buried in there. And then, one bright spark decides to release the blu-ray audio SEPERATELY, in a normal, CD-sized jewel case, just before Christmas. And - lo and behold - the thing gets rave reviews, starts selling like hot cakes and rockets to the top of the HiRez poll in record time!
So, why, in the name of all that is holy, can't other publishers of exorbitantly priced, long-sold out, super-duper, deluxe massive boxes of junk, realise that we don't want the vinyl, we don't want the CD outtakes, we don't want the postcards: WE WANT THE MULTICHANNEL MIX! It's not hard to do. You've made a lovely SACD multichannel mix of Gene Clark's No Other. Release it and charge €30 a pop. It'll sell. Goldfrapp's multichannel DTS DVD in Tales Of Us is also lost without trace after the humongous £65 box set sold out. And there are plenty of others. You'll make your money back, all the hard work's been done, after all. Ask Dieter Meier, if you don't believe me. He's made a fortune during his lifetime.