What to do - with too much time, a lifetime understanding of, and a method of not only DECODING - but of reassembly - via remastering - that works, taking ONLY that which is already "hidden" deep inside in plain sight to those who can see it buried in there, within the originally commercially released version - yet when one has finished extracting more and totally different audio channels that are hidden deep inside - and remastering the entire track - to ensure NOTHING is left behind (it contains all that it had before, but in a different position - where some new can be heard, some that was heard, is now buried deep within - yet - if one wanted too, one could turn it around & redo the original - sort of, maybe with better effects and echoes installed).
Maybe one would get this effect.. HARMONICS of the original - pushed back into itself - differently.
EIGHT TRACK - yet not eight being four duals - but ALL EIGHT tracks - all played together at the same time..
Swirling sounds, flip-flopping everywhere ..
All re-assembled deep within the original in a different order than they were "put" - when originally recorded and manipulated in the mastering record label's studio - before commercial release - many years ago..
THIS - is me jabbering enough - to let my twisted innovative inventor's brain -eventually GET (far enough into my own thoughts o get) ?
Directly indirectly - to the subject of the video itself..
Now - hear we go .. push THAT (tape paused to play) BUTTON THERE.. at precisely too far along the timeline for most to bother listening to someone idly jabbering ..?
2:25
That is the timestamp - to drag the player along into - where the jabbering STOPS, and the remaster begins playing - differently. to what was commercially produced.
Nothing added, nothing left behind.
The same - yet it isn't - is it?
Done years ago - when my "time-limit" for video uploads into YouTube - were cut at precisely NOT QUITE 10 minutes
Hence this - is precisely containing 2 minutes 25 seconds of talking (- way too much talking -) leaving not enough TIME to finish at 9 minutes and 59 seconds..
Video on YouTube - titled as:
(vid_2_of_3) MIXTAPE.wmv = Mono 2 Stereo WIDE MODE 'surround' & BEYOND = MOODS II (FAIR USE APPLIES)
Scroll along to 2 minutes & 25 seconds - to avoid falling asleep with my prattle & idle talk - which I used to do years ago when first into YouTube creations?
Or - click the link with the added timestamp - in the URL .. of ?
t= 145 seconds..
All my videos (well the older uploaded audio ones anyway) are/were done by me - when trying to explain my 1965 inventive deplexer-decoded analogue surround system, whereby I can extract whatever channel of audio signal that I want - so long as that is already contained deep within the original - yet cannot be heard until extracted "content" of the original - which I can use for remastering the original differently - or - like this video is done - to just "explain" how there are MORE THAN the simplistic four channel quadraphonic system ?
(which failed back in the late 1970's - as it did NOT address the age old problem, of dropped sounds, in deep silences - appearing in any listener's room - with ONLY four speakers).
THIS REMASTER - drags sounds anywhere across the sound stage (presented by a basic 2 speaker stereo player - into just two speakers) - yet ..
THERE IS NO SWEET SPOT.
There is NO missing content (except maybe the cut-off ending - but that's inconsequential here) & what's more.
NOTHING was added.
I used ONLY what was inside the original recording.
Yet - when you play this - even when comparing to the original ..
YOU CAN NOT GET ANY SWEET SPOT to occur, as - the ONLY similarities - exist inside your head as HARMONICS and waveform interferences that are created by the "simultaneous playing" - of two totally different sound tracks, as if they were always supposed to be PLAYED-WITH at the same time...
Maybe one would get this effect.. HARMONICS of the original - pushed back into itself - differently.
EIGHT TRACK - yet not eight being four duals - but ALL EIGHT tracks - all played together at the same time..
Swirling sounds, flip-flopping everywhere ..
All re-assembled deep within the original in a different order than they were "put" - when originally recorded and manipulated in the mastering record label's studio - before commercial release - many years ago..
THIS - is me jabbering enough - to let my twisted innovative inventor's brain -eventually GET (far enough into my own thoughts o get) ?
Directly indirectly - to the subject of the video itself..
Now - hear we go .. push THAT (tape paused to play) BUTTON THERE.. at precisely too far along the timeline for most to bother listening to someone idly jabbering ..?
2:25
That is the timestamp - to drag the player along into - where the jabbering STOPS, and the remaster begins playing - differently. to what was commercially produced.
Nothing added, nothing left behind.
The same - yet it isn't - is it?
Done years ago - when my "time-limit" for video uploads into YouTube - were cut at precisely NOT QUITE 10 minutes
Hence this - is precisely containing 2 minutes 25 seconds of talking (- way too much talking -) leaving not enough TIME to finish at 9 minutes and 59 seconds..
Video on YouTube - titled as:
(vid_2_of_3) MIXTAPE.wmv = Mono 2 Stereo WIDE MODE 'surround' & BEYOND = MOODS II (FAIR USE APPLIES)
Scroll along to 2 minutes & 25 seconds - to avoid falling asleep with my prattle & idle talk - which I used to do years ago when first into YouTube creations?
Or - click the link with the added timestamp - in the URL .. of ?
t= 145 seconds..
All my videos (well the older uploaded audio ones anyway) are/were done by me - when trying to explain my 1965 inventive deplexer-decoded analogue surround system, whereby I can extract whatever channel of audio signal that I want - so long as that is already contained deep within the original - yet cannot be heard until extracted "content" of the original - which I can use for remastering the original differently - or - like this video is done - to just "explain" how there are MORE THAN the simplistic four channel quadraphonic system ?
(which failed back in the late 1970's - as it did NOT address the age old problem, of dropped sounds, in deep silences - appearing in any listener's room - with ONLY four speakers).
THIS REMASTER - drags sounds anywhere across the sound stage (presented by a basic 2 speaker stereo player - into just two speakers) - yet ..
THERE IS NO SWEET SPOT.
There is NO missing content (except maybe the cut-off ending - but that's inconsequential here) & what's more.
NOTHING was added.
I used ONLY what was inside the original recording.
Yet - when you play this - even when comparing to the original ..
YOU CAN NOT GET ANY SWEET SPOT to occur, as - the ONLY similarities - exist inside your head as HARMONICS and waveform interferences that are created by the "simultaneous playing" - of two totally different sound tracks, as if they were always supposed to be PLAYED-WITH at the same time...