B
berninahusq
Guest
Sometime in the 80s I was getting very nervous of a few of my "treasured" Q8s totally degenerating and being unplayable. So I took my TEAC A3340S 4-channel deck and and all the 10 1/2" and 7" reels I had and recorded as many tapes as I could as dbxII encoded recordings. If the Q8s were Dolby-B encoded, I first decoded them with my TEAC AN-300 4-channel Dolby-B encoder before the dbxII processing. I found that these new "masters" sounded much better than the original 8-Track because somehow with the dbxII and the TEAC 3340S recording setup, they sounded more dynamic. And this was without a DBX1, 2 or 3 dynamic range expander which I found suspect at the time. These reel to reel tapes were more durable than those 8 tracks anyway!
As you well know, the tape hiss on those Q8s are noisy, Dolby-B or not, and some are just downright unbearable during non-program segments. Nevertheless, technology (nor the money) wasn't there yet to retain these recordings in a digital format (the CD came many years later) but was convinced that one day both the money (well let's say an obsession) and the technology would be.
I was listening to one of these recordings that I transferred onto CD recently the other day and was very annoyed by the tape hiss. So I pulled up the wave files in CEP and experimented with Noise Reduction. I captured a "1 second noise print" of the loudest hiss from a silent track and removed the noise from all the tracks. The results were "JUST" phenomenal! It was SO QUIET that you wouldn't even know that this recording came from a tape, let alone an 8-Track! There was no audibly detectable degradation of the program content either. The highs were still bright, the cymbals still rang and the bass still tight. I thought I died and went to heaven, again! Can you imagine a quiet segment from an 8-Track actually being "dead quiet"?
Now I'll have to go back and take the noise out of all my other recordings. What fun to listen to these recordings better than I ever had before! Thanks for listening guys...only you can understand this elation!
Ed
As you well know, the tape hiss on those Q8s are noisy, Dolby-B or not, and some are just downright unbearable during non-program segments. Nevertheless, technology (nor the money) wasn't there yet to retain these recordings in a digital format (the CD came many years later) but was convinced that one day both the money (well let's say an obsession) and the technology would be.
I was listening to one of these recordings that I transferred onto CD recently the other day and was very annoyed by the tape hiss. So I pulled up the wave files in CEP and experimented with Noise Reduction. I captured a "1 second noise print" of the loudest hiss from a silent track and removed the noise from all the tracks. The results were "JUST" phenomenal! It was SO QUIET that you wouldn't even know that this recording came from a tape, let alone an 8-Track! There was no audibly detectable degradation of the program content either. The highs were still bright, the cymbals still rang and the bass still tight. I thought I died and went to heaven, again! Can you imagine a quiet segment from an 8-Track actually being "dead quiet"?
Now I'll have to go back and take the noise out of all my other recordings. What fun to listen to these recordings better than I ever had before! Thanks for listening guys...only you can understand this elation!
Ed