minimumtumbleweed
300 Club - QQ All-Star
Before The Seeds of Love was finally released, I thought the upmix I did with SpecWeb was really good. Obviously, it's obsolete now.
I think if anything it would have been SQ , as it was indicated as such on some CBS/Columbia Records . But only on one side of the album.
FWIW There should be a picture of that , somewhere's on QQ , pupster .
Bad Reputation by Joan Jett & The Blackhearts.
Absolutely stonking well done - fake as our UK Prime Minister, but sounds great (whereas he of course....well, that's not why you called (to borrow someone else's tagline))
When I first heard this I was staggered. Highly recommended.
Another one - very oold now but still better than any other attempt I have heard was the original TOUP (Two Of US Productions) DTS-CD upmixes of the first 5 Zeppelin albums. Highlights include Page's looong slides down the fretboard panning from front right to rear right and other wonderful touches abound.
Steve Wilson's Penteo upmixes on Gentle Giant's Octopus are stunning! I read the notes after listening and was flabbergasted that the opening track was an upmix... it's better than many/most true surround mixes out there.
Yeah predating commercial upmix tools, Spec and to some extent AART/EOH there was TOUP, and GART, and maybe one more that escapes me at the moment. Those methods were, to my knowledge, never shared, although TOUP talked about using mono and stereo mixed sources for the same material.
Have you treated The Royal Scam similarly?I like my Steely Dan AJA Penteo 4.1. That’s usually my demo for visiting mates that want to know what I’ve been doing during Covid lockdowns over last year and a half.
My favorite SpecWeb upmixes so far:
Jon Astley's 2 albums, especially The Compleat Angler. His production is off the charts good for that era. Supposedly Pete Townshend said that this was his reference album when listening to a new system.
Patrick Moraz - The Story of I (this isn't really "I", but a symbol that looks like an "I"). Synths and percussion flying all over the place. Very active.
Caravan - For Girls Who Grow Plump in the Night. Anything with violin seems to come out great.
Pointer Sisters - Pointer Sisters. Their first album. Great production. Did it from a needle drop.
Klaus Schulze - Timewind - If the original didn't F you up when you first listened to it on headphones, being surrounded by it at the end should do the trick.
Sam Phillips - Martinis and Bikinis. Great production leads to good upmixes.
Steely Dan - Countdown to Ecstasy - Way better than the real quad thing that is out there. Lots of separation.
Traffic - Low Spark... & John Barleycorn - Both sound great. Their music was made for surround... and drugs. I tested the surround.
A couple of songs also stood out:
Lucifer's Friend - Spanish Galleon
The Tubes - What Do You Want From Life - Hold on to your hats at the end.
I agree and I'm also impressed with his penteo on Crimson's Starless and Bible Black.
FWIW The Tubes was supposed to release a TATE SQ video special . But most likely it was shelved along with the DEVO video special.
Thought I read somewhere on QQ that Klaus Schulze's Timewind is a sleath SQ quad , but unconfirmed ?
And as far as Traffic's albums are concerned , any of their recordings sound great in synth quad matrix , QS preferably. (and soft drugs)
In fact , Audio Magazine recommends "Where The Eagle Flies" in (SQ ) matrix (or QS).
I tried it in SQ via my Fosgate Tate II , and agreed that it's a natural for quad via SQ matrix.
And so is Bob Segar's album "Against The wind" .
Thanks for those recommendations , infomas.
Yep, both Simon Heyworth and Robert Fripp have the credits for the Penteo 5.1 upmix for Trio and Mincer.That was Simon Heyworth's doing if I'm not mistaken
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