I have to respectfully disagree on the assessment that Subotnick's work here is "simply noodling." I would consider this album to be more musically varied than "Touch", its predecessor. Excellent use of dynamics here: sections that are hushed to a whisper to roaring modular synth blasts. Subotnick even manages to tone down the maximalist-leanings of his earlier electronic works a bit, focusing more at time in creating a droning soundscape rather than noise collages. Wonderful use of panning and placement as well: this kind of music was simply MADE for quadraphonic sound (though I will warn that it is an acquired taste)! Although maybe not *quite* as good musically as Touch, the mix here is enough to bump it to a 10 for me.
P.S. the Q8 for this sounds great!