The picture is quite poor, very grainy in low light (newer digital cameras would have done much better, IMO) and I think they went overboard in some tracks with the colored light blasts that made my head feel like I might have developed epilepsy n my dark theater room. I actually turned on ambient lights on a few numbers to reduce the retinal stress. I don't remember getting retinal stress with the Delicate Sound of Thunder laserdisc back in the day, but PULSE had its moments, I suppose.
The sound quality was ok. It could have been better. Pink Floyd was always known for the sound quality of their records compared to the average band.
It was great to hear Echoes in its entirety for once, although I still prefer the Pink Floyd Live In Pompeii version (along with the best version ever of Careful With That Axe Eugene and the only version I care to listen to these days). Roger did something slightly different with the bass line in that version with an extra note tacked on that gave the rhythmic section a really sweet kick the original lacked (live version here is pretty faithful to the Meddle album version by comparison). I transferred those two songs from the Pompeii set to play as an audio album they were so good. Part 1 worked well by itself (I never cared for the Halloween sounding bit in the middle anyway).
The extras were nice. I love the acoustic version of Echoes on there, but it was Part 2 and I would have preferred Part 1, but even so it was great. I think David should do an old school MTV Unplugged style album of the less acoustic Floyd and Gilmour hits. I'd love to hear Welcome to the Machine acoustic or even Dogs (Waters more likely to do the latter, I'm afraid).