petermwilson
Senior Member
Hi,
I just finished reading a review in December's Sound & Vision about the mltich treatment of "The Flaming Lips" Yoshimi Battles The Pink Robots, dvd-a 5.1 where the descriptin of the wildly inventive mix is heralded as being the possible savior of dvd-a.
This supports JonUrban's earlier post and "BILLBOARDS" (thinking out loud) of the revival of recorded music connected to mltich.
The review continues to describe the drums in "Flight Test" the first piece, where the drums start moving around you in a clockwise fashion.
Elliot Scheiner and co producer Dave Fridmann have perhaps been listening to either Billy Cobham's "Spectrum" or '"The Best Of Mickey Hart".
In any case, I own and enjoy the latter two and as perhaps as Billboard rightly guesses, if it wern't for dvd-a mltich I would probably never have heard either of these albums.
I guess the point that I'm trying to make is that if one of the steadfast goals of recorded music has been to been to bring the listener closer to the original performance, it went out the window with many of these mltich mixes.
I'm not really a purist, it's just that the rules have changed and I'm wondering, (if it hasn't happened already) at what point do they have the creative licence to change the order of the notes.
Peter m.
I just finished reading a review in December's Sound & Vision about the mltich treatment of "The Flaming Lips" Yoshimi Battles The Pink Robots, dvd-a 5.1 where the descriptin of the wildly inventive mix is heralded as being the possible savior of dvd-a.
This supports JonUrban's earlier post and "BILLBOARDS" (thinking out loud) of the revival of recorded music connected to mltich.
The review continues to describe the drums in "Flight Test" the first piece, where the drums start moving around you in a clockwise fashion.
Elliot Scheiner and co producer Dave Fridmann have perhaps been listening to either Billy Cobham's "Spectrum" or '"The Best Of Mickey Hart".
In any case, I own and enjoy the latter two and as perhaps as Billboard rightly guesses, if it wern't for dvd-a mltich I would probably never have heard either of these albums.
I guess the point that I'm trying to make is that if one of the steadfast goals of recorded music has been to been to bring the listener closer to the original performance, it went out the window with many of these mltich mixes.
I'm not really a purist, it's just that the rules have changed and I'm wondering, (if it hasn't happened already) at what point do they have the creative licence to change the order of the notes.
Peter m.
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