Bill Brent
300 Club - QQ All-Star
- Joined
- Apr 13, 2004
- Messages
- 354
I've been using the Lafayette SQ-L on the composer B setting for
straight SQ decode. Pretty sure the SQ-W has the same circuitry.
My question - does the tate-II have a similar setting -
or is it only the enhanced "wave matching" SQ setting?
my reason for using this setting - if interested - is to take my
4 channel tapes - run the rear channels though the decoder, then take
the rear output of the decoder, and mix it with the straight through front
channels of my tape.
as long as I'm careful with the balance and levels (keeping the
rear channels 3db down) - I end up with a fairly effective SQ mix.
Thanks
straight SQ decode. Pretty sure the SQ-W has the same circuitry.
My question - does the tate-II have a similar setting -
or is it only the enhanced "wave matching" SQ setting?
my reason for using this setting - if interested - is to take my
4 channel tapes - run the rear channels though the decoder, then take
the rear output of the decoder, and mix it with the straight through front
channels of my tape.
as long as I'm careful with the balance and levels (keeping the
rear channels 3db down) - I end up with a fairly effective SQ mix.
Thanks