Yeah, he was all over DVD-A, for about a year.
HDCD first....then DVD-A...now he's rolling his own
Yeah, he was all over DVD-A, for about a year.
It's true that with an iPod you are mostly confined to analog out, though, unless your AVR has a special interface.
Any modern laptop/netbook with digital out can accomplish the same, and have vastly more functionality, quite possibly for less that $300.
that video is excruciating to watch.. so many of those artists coming out to bat for Neil Young's stereo Pono who've had surround releases aplenty over the years (I'm looking at you Elton.. Tom Petty.. Springsteen.. James Taylor.. Foo Fighters.. Beck.. et al..) will doubtless now have the knives out for surround, they're all backslapping turds that go like sluts with the latest buzz in the goofball music industry.. I bet they all fell in line and applauded when NY made that pathetic dig at surround music..
..I mean, really, what kind of daft prick puts up with not having as many speakers in their house as they bloody well want..!?!? the proverbial missus can get back to their knitting and go screw themselves if they don't like it - if I want a room full of speakers in my house that's it, I'm having a room full of speakers, to say that's why DVD-A failed from a commercial point of view is just bull - NY backed a horse that didn't have the legs and now he's shot the poor nag down to save face. I reckon he'll be a bit more demur when this Pono horse falls at the first fence, which it no doubt will.
..however, if by some miracle this Pono thing takes off sufficiently to survive the record labels' axe, watch the surround backlash from the major labels & big acts start here, another nail in the coffin for the kind of music by artists that would sell in surround because people (the record buying public who put these labels and artists where they are today) are crying out for it.. look at Universal's HFPA page on Facebook, it's bonkers, the incessant requests for surround above all else on there have been so glaringly obvious the guy behind HFPA actually started releasing some surround on HFPA in a frantic knee-jerk. that's people power over Pono power.
bone of contention number 436: anyone can "tell the difference" with surround music, we've all done it with family & friends when they come over ("wow! there's stuff happening all around me! that sounds amazing!") but with Hi-Rez stereo its all up for grabs, I've never had anybody come round and marvel at stereo in any Rez in the same way, undeniable bottom line Hi-Rez stereo is more subjective/esoteric/whatever.. how many people will actually "get" this!?
follow on: who really cares about nuance, soundstaging and so on
when they're on the move? I know I don't. when I'm on my way to work on a noisy packed hot smelly old tube I'm going from A to B with any old background noise on in my earbuds to blank the whole dreadful experience out - ok, YMMV and all that but I personally can't see Pono being a go-er with the masses on the move, when critical listening at home is the domain of people who care about sound reproduction.
..and how many of these musicians can actually "hear" anymore anyway!? their hearings more than likely shot to ribbons by now.. just lazily re-packaging the same old stereo shit another way in the name of "better than vinyl/cd/whatever sound" to squeeze the last dregs out of the cash cow.. the whole thing makes my blood boil.
for me, Pono is a No-No No Go.
That was an epic rant.
Look, as far as I'm concerned, ANYTHING that brings better-mastered recordings to light, stereo or surround, is a plus in my book. And as much as I love surround, NY has a point about gear -- you can't do surround properly without a dedicated listening space. That's a non-starter for a huge chunk of the population.
Plus it doesn't help that his only 5.1 release was severely botched in the authoring process.
Harvest is botched? How? Mine worked fine the last time I played it (I've long since ripped it to hard drive).
Update #40
Mar 12 2014
Hey there everyone,
Have you seen what's been going on with Pono? I must say that I'm impressed with their ability to show the world that high resolution is a worthwhile pursuit for everybody. I'm left wondering, though, why they only went half way. 24/192 and no DSD? That's so 2011.
Maybe, just maybe, Larry and I have something up our sleeves. You know, something that our backers have been requesting since we first launched Geek that we've had Juha, Ben and Eric working on.
Gavin
That's someone's armchair theory of how it should sound, stated as 'fact'. But that surround mix, from what I read when it was released, is *supposed* to have an odd 'in the middle' perspective for the listener -- and that's what it sounds like to me.
I've swapped the cables for the tracks in question. It's night and day. You're not supposed to have vocal echo in the fronts and the lead vocals in the rears. Somebody screwed up.That's someone's armchair theory of how it should sound, stated as 'fact'. But that surround mix, from what I read when it was released, is *supposed* to have an odd 'in the middle' perspective for the listener -- and that's what it sounds like to me.
I've swapped the cables for the tracks in question. It's night and day. You're not supposed to have vocal echo in the fronts and the lead vocals in the rears. Somebody screwed up.
Then you should swap the channels on the other tracks instead...*supposed* to have an odd 'in the middle' perspective for the listener
Give it a try...
Or perhaps you could do a blind A-B test in controlled conditions and then reach a conclusion.
Perhaps you could contact someone who actually worked on the disc, to get their story?
Because that's all that really counts, when asserting what the mix was 'supposed' to be.
I don't doubt that swapping front for back would be a 'night and day' difference.
That was an epic rant.
Look, as far as I'm concerned, ANYTHING that brings better-mastered recordings to light, stereo or surround, is a plus in my book. And as much as I love surround, NY has a point about gear -- you can't do surround properly without a dedicated listening space. That's a non-starter for a huge chunk of the population.
Plus it doesn't help that his only 5.1 release was severely botched in the authoring process.
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