- Joined
- Jan 19, 2006
- Messages
- 221
Note I sent last night to the Pono team via the Kickstarter page:
Encouraging note I received back from them a few hours later:
We shall see, but it's good hearing that the quality of the source is on their radar.
The thing that a lot of us are anxiously waiting to hear about is the quality of the source material that's going to be offered through Pono.
What we are hoping and praying to hear from someone is that the files are being created at high resolution directly from the masters. This is the holy grail for so many of us with ears who have suffered through the loudness wars and so many dreadful mastering decisions since the start of the CD era. We hear the finished products and we KNOW (like Neil and some of the artists were talking about) that it HAD to sound better during playback in the studio (I've been a part of pro recordings before, and I know what that sounds like). This is what we are desperate for. Please help us.
Upsampling a Redbook CD to 24/192 isn't really going to get us anything -- a lot of us could do that ourselves if we wanted to. And like it or not, those picky audiophiles are going to put everything you do under a microscope. It may get rough. I am rooting for you guys to do it right and prove any and all nay-sayers wrong.
Encouraging note I received back from them a few hours later:
Thanks for your comments and support. Neil's passion is delivering the best quality files available, and not tricky to get high numbers.
We shall see, but it's good hearing that the quality of the source is on their radar.