It was partly as a result of doing the first 2 ELP mixes, that I came to the conclusion that I didn't really want to remix an album in future unless:
1. I could be sure of having proper feedback and positive interest from the artist (or at least someone representing the band). In the case of ELP they were sent all the remixes and the proposed bonus tracks several months in advance - these attempts were met largely with indifference. Afterwards when various issues were raised I believe they claimed to have never been given this opportunity. Needless to say left rather a bitter taste.
2. I could honestly say I was a genuine fan of the music. In the case of ELP it was a part of progressive rock history I did not especially enjoy myself, but I realised that for some fans these albums are the very pinnacle of the genre. This made me feel I was the wrong person to be working on them (and conversely the way I feel about the likes of King Crimson, Yes, Tears for Fears, XTC..etc.. I believe makes me the *right* person for these artists!)
In this case I was happy to recommend my friend Jakko as an excellent successor to continue the catalogue.