Generally the act of removing the chip from it's socket and returning it to the socket will clean the pins enough to bring the unit to life if that is the problem. A bad capacitor can allow a dc voltage to be applied where it shouldn't be and cause distortion. If a dc voltage, even a small one, is applied in such a manner to the input of an op amp chip, the chip will amplify the voltage, driving it's output near one of the supply voltages with the result being that any signal that drives the output voltage to swing beyond the supply voltage will be clipped at the supply voltage. It will appear that the chip is bad, but it really isn't. It is just trying to do what it is incapable of doing. This condition as well as others can be seen on an oscilloscope. (I'm sure all of y'all have a Tektronix scope on your home electronic workbench, right?) Anyway, if you do have one, it is a great aid to troubleshooting. Of course, the problem is that you have to know what you are looking at. Oh well, then there's that thing about two years of tech school. Oh well, You might be better off just sending it to Bob Popham. I couldn't find a chip that was a direct cross. I did find one with a similar number, but without a pinout on the original chip, you would be risking a lot to try it. If it isn't one of the Tate chips, you might find one like that, but even the non tate chips are rare. I wrote Audionics and asked them to release the schematics to the composer, it isn't as if they were going to produce more of them, there is no longer any need for secrecy even if there ever was in the beginning. (most manufacturers release their schematics as a matter of policy) Even that wouldn't reveal the Tate secrets. Maybe if we all at once Emailed Audionics (Fosgate) they would respond to one of us. They didn't respond to me. I would like to be able to fix some minor problems I have with mine. I don't dare poke around in it without a roadmap for fear of really screwing it up. Is there anyone that has a Composer that is already unrepairable, that could be used for disection in order to get a schematic, I would be willing to take on the project. I would be willing to do it on mine, but you have to remove all the chip sockets and other components, so the traces under them can be seen, and the risk in that is rather higher than I would want to invest in a working Composer. So, y'all bombard Audionics with requests for Composer schematics, even if you don't own a Composer, (you might find one later) and if it works, later we'll do it again for the Tate II.
The Quadfather