Mobile Fidelity Sound Lab is taking you to their studio for a look at SACD Mastering with mastering engineer Rob LoVerde in this YouTube video
Hey that was great. Thanks for the post. I love this behind the scenes stuff & learning how the pros make their decisions, etc.
I noticed his comments on auditioning the tape flat, very neutral & transparent. I casn't help but wonder what equipment he is using for this. I think I saw a Krell amp on the floor & the acoustical treatment. I can't deduce what monitor speakers he is using. Since set ups like this are for nearfield, when/how would the approach change realizing most people will not have a similar set up?
I can't deduce what monitor speakers he is using.
Mobile Fidelity Sound Lab is taking you to their studio for a look at SACD Mastering with mastering engineer Rob LoVerde in this YouTube video
Thanks Brian for bringing this to our attention, great to hear it from the source.
Does anyone know what sample rates they typically digitize to?
Looks like the Horus handles -
44.1 – 384 kHz PCM - DXD and DSD64/128/256
This reminds me of that Kevin Gray (AP) mastering job on the SACD of Bluesy Burrell I noted here:
https://www.quadraphonicquad.com/fo...sacd-stereo-or-mono.18704/page-39#post-442067
If anyone has an early LP of this album, I'd like to know if Hawkins' sax is as forward and overpowering on those also?
Mobile Fidelity Sound Lab is taking you to their studio for a look at SACD Mastering with mastering engineer Rob LoVerde in this YouTube video
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