Thanks matey
some of that post probably doesn't read very well (I just went with the flow!) but really if those EJ SACDs were the worst examples of compressed CDs I'd ever heard I'd agree with keenly 100%.
I believe in fairness and credit where its due but the flip side to that is I can't just sit by and watch those discs get unfairly slated when they please a lot of people on their many merits, here and elsewhere and many QQ members long-term and newer are still discovering the many plus points of those discs - its an insult to the hundreds of people here to say they're all wrong and these discs sound like hell. They aren't perfect but they're not unbearably loud and that needs to be said in their defence.
I don't have a great system (never have and doubtless never will be able to afford a really top-flight one) I don't profess to have golden ears or have any technical knowledge, or be qualified to give anything but a personal opinion on any of this stuff.. but the good things about those SACDs are apparent even on low rent gear, to knackered uneducated ears - and people with great equipment and great knowledge and so forth here rate them too - can they all be wrong!?
FWIW I've only ever encountered unwelcome brightness with the GYBR surround mixes the other SACDs are loud but are not bright and have fidelity that utterly wipes the floor with just about every other version going. For folks who don't have the old 80's CDs and who love surround, those SACDs (in 5.1) are far and away the cheapest, easiest way to get truly excellent sounding versions of those Classic albums and the mixes are super active, injecting new life into old records. What more could anyone reasonably ask for!?