Totally unnecessary format. As time passes disc space is only going to get cheaper. Why else bother with this when there are plenty other formats already around ?
Totally unnecessary format. As time passes disc space is only going to get cheaper. Why else bother with this when there are plenty other formats already around ?
Totally unnecessary format. As time passes disc space is only going to get cheaper. Why else bother with this when there are plenty other formats already around ?
i got the Steely Dan "The Royal Scam" MQA CD in the mail the other day (courtesy of CD Japan, import duty plus handling fee was almost as much as the disc.. but that's a gripe for another thread! bah!) only had one quick listen but was pretty unimpressed.
I then swapped it out for my trusty old Nimbus mastered UK MCA CD and by comparison the new MQA was much the worse for it; lead vocals and cymbals were too bright and in your face, bass was diminished, the soundstage seemed narrowed somehow, overall it was louder than the Nimbus.. ugh.
https://www.stereophile.com/content/music-round-84-multichannel-mqa-multichannel-mqa-againKal,
Can you elaborate on any audible advantages you may or may not have heard from fully decoded MQA? I have to assume there aren't many of us here who have had the opportunity to listen to decoded MQA at all.
YAWN!
I'm done with "new formats" - and so is the rest of the world. Throw these in the pile with the DualDisc's and MVI Discs.
I was going to look for some files to see what it sounds like then realised I have no way of playing them back! And did you see some of the prices for the equipment in the video?!
I guess what I was more interested in was the 'origami' lossless fold down effect for possible streaming/downloads. And then the possibility for new/re-releases of surround albums.
I think there's Bob Hope and no hope of the physical discs taking off if they're just based on RBCD. I thought it was different. And was intrigued as weren't there some classic quad albums released only in Japan?
Sorry but after getting screwed by DVDA and SACD I'm not really excited about jumping into a new format, especially one in which there is no multichannel option, where a decoder starts at around a grand, And as far as I'm concerned if Both Kai and Brian give it a thumbs down then > MQA can kiss my ASS
Anyone remotely interested in this subject, should read the following article (and the comments!) in ComputerAudiophile.com:
https://www.computeraudiophile.com/...-of-controversies-concerns-and-cautions-r701/
To my mind, this is one of the very best articles I have ever read in all my (many) years of being an audiophile.
Jim
Yeah this was referenced back in post #12. Good article.Anyone remotely interested in this subject, should read the following article (and the comments!) in ComputerAudiophile.com:
https://www.computeraudiophile.com/...-of-controversies-concerns-and-cautions-r701/
To my mind, this is one of the very best articles I have ever read in all my (many) years of being an audiophile.
Jim
It is highly unlikely to take hold if it needs new specialized equipment for decoding.I've read the article, in my view AVOID MQA. IMHO if it takes hold its going to be trouble for lovers of music.
But isn't that one of the supposed selling points? You don't need any special equipment,,, unless you want the best quality available, and then the costs (disguised as royalties) are there to fund that jump to higher quality.It is highly unlikely to take hold if it needs new specialized equipment for decoding.
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