Q-Eight said:
Short of asking these record companies if you can poke around in the vault for a few weeks, I highly doubt it would be possible. Taking into account that Quad is over 30 years old, I doubt anybody remembers or even cares about them anymore - if they haven't already been destroyed.
I don't know, I mean if Sony still had plans of releasing certain older quad albums as SACD, and the post I read that there were a number of multichannel releases ("thousands") ready to be brought into the 21st century, even if there is a small possibility, I'd like to find out.
I know someone who I've known for a few years, he co-runs a small indie label in L.A., is a heavy duty record collector, and a fellow journalist. He recently finished a project with Blue Note Records, where the label asked him to go into the EMI tape vaults to find out what existed of music by David Axelrod. For some people, Axelrod might be considered someone of interest to those into symphonic rock, or happen to be a fan of session musicians such as Earl Palmer and Carol Kaye. In the last 15 years, Axelrod's music has been an inspiration for hip-hop and electronica producers, sampling him many times over the years.
Unfortunately, the Axelrod reissues that exist now (his first three albums on Capitol, along with the various records he produced for Cannonball Adderley, David Rose, Lou Rawls, and many, many others) were all taken from the original album masters from the time of their original releases. I believe what will be coming this year, through Blue Note, is either a retrospective of Axelrod's work, completely remastered, and I am sure it will lead to proper reissues of his first three albums.
My point in bringing this up is that I had wanted to ask him (Eothen "Egon" Alapatt) if there was a chance of him and Blue Note to do surround sound mixes of those first three albums. Unfortunately by the time I got to Egon, they were already in the final stages of mastering. He did hint to me, however, that the state of things in the vaults were, as expected, a mess.
Nonetheless, if there was access to master tapes which resulted in those DTS Music Discs, it would be a matter of trying to gain access to a record label's tape vaults for research purposes. I know some labels probably don't have a proper archiving method, which of course would make things worse.
I did like the idea of someone creating a boutique label for DVD-A/SACD's, not unlike what they did with Four Men With Beards and releasing certain jazz albums on audiophile vinyl.