So, how does one go about finding a 1200 MKII? I mean, they go for crazy prices on ebay.
get your wallet out Genieneezer Scrooge McDuck!
you know that beaut's worth every penny
So, how does one go about finding a 1200 MKII? I mean, they go for crazy prices on ebay.
So, how does one go about finding a 1200 MKII? I mean, they go for crazy prices on ebay.
In a direct-drive turntable, there is
no speed-reduction linkage between the
drive motor and the platter. They are one
and the same moving part. This accomplishes several very desirable things. It
completely eliminates the motor and any
intermediate drive elements as sources of
rumble. It virtually guarantees that there
can be no flutter, because there is nothing
Comrotating fast enough to cause rapid speed
variation. And it reduces maintenance to a
simple matter of periodic platter-spindle
cleaning and lubrication. There are no
pulleys or idlers to keep clean, no belts to
fray or deteriorate, and no high-speed bearings to wear out within your lifetime. In
other words, with minimal maintenance and
perhaps an occasional part replacement in
the electronic drive circuit, a direct -drive
turntable can be expected to deliver peak
performance for as long as you want to keep
it.
Also the pursuit of the best is SOMETIMES, FOR SOME PEOPLE the enemy of the enjoyment of the good.my answer is no. simply plug the turntable into a receiver and enjoy the music. Over analysis leads to paralysis. It simply becomes audio masturbation after awhile.
I never much cared for the sound of my M91ED but it just goes to show what I've always said is that the phono cartridge has a major influence on sound, just about as much as speakers! They can and usually do sound radically different from one another, individuals may prefer the sound of one over the other. The sound differences of preamps can be more subtle. I prefer tubes, my own home-built unit in fact, but acknowledge that factory built units are priced through the roof! Only really for high end audiophile crazies!My current combo in use for stereo LPs is a Pioneer PL-71, with a Music Hall mini plus phono preamp. The pioneer is a nice and heavy turntable with a beautiful real wood veneer. I would love to compare it's sound to a vintage technics 1200, as I think they were in the same league (if a different target audience) at the time. It is also designed with low impedance wiring to play CD-4. The preamp is actually made by Rolls and was $100 when I got it. I am very happy with it. It is especially quiet and the cartridge load capacitance and trim gain are nice capabilities. My favorite cart, for it, is a Shure M91ED with a LP gear N91 VL stylus. I like it better than the AT 440 MLB and Denon DL-110.
Everything interacts with each other. Shortcomings, or perhaps, more accurately, characteristics of one component can be overcome by characteristics of another, or can be amplified by others, pardon the pun. I recall many friends in the 1970s having M91EDs and similar Shure cartridges as they had a bit higher output and a much punchier sound than, say, Ortofons of the day which tended to sound a bit drab by comparison. Regardless, its down to what sounds good to you!I have no idea what the M91ED sounds like "stock", but with the VL stylus I think it compares favorably to the two other carts I mentioned. Since the cart, and the other Pioneer turntable it was attached to, were free, I only paid for the stylus. That was $79 last year. Also perhaps, the right combination of tonearm and cartridge can sometimes just be a lucky match.
Concur with who? I never got the impression that responses in this thread think AVR phono stages are awful.Hi...I concur that most interior phono stages on more current amps/receivers are awful.
I will say that the Music Hall mini plus preamp tackled this issue by having a gain control. It is for MM and High Output MC Carts and does work great with my Denon DL-110. Not saying it compares to the one you mentioned, only that it is flexible enough to handle HO MC carts. One of the main reasons I bought it.I have the Parasound - Z Phono preamp. $200.00
https://parasound.com/zphono.php
It it reasonably priced and it does a decent job, however I have a high output MC cartridge and it is too low in MM mode and too high in MC mode. So it needs to be controlled by the processor gain settings. I have to reduce the gain considerably in MC mode to try and match the volume levels of other inputs.
If I was buying today, I would spend a little more and opt for this model as it will address any gain issues and has balanced outputs. $600.00
https://parasound.com/zphono_xrm.php
I will say that the Music Hall mini plus preamp tackled this issue by having a gain control. It is for MM and High Output MC Carts and does work great with my Denon DL-110. Not saying it compares to the one you mentioned, only that it is flexible enough to handle HO MC carts. One of the main reasons I bought it.
Exactly. I run a MC cart which is why I have the one I have, the Phenomena as it is super flexible in both output but also impedance which can make a difference depending on your cart. But its a drag to set, requiring lots of tweaking. If you want one where you just flick a switch then this is not it! But the difference between my vintage high end for its day Audionics BT 2 and this unit is massive. Highly recommended if you are running a vintage pre-amp from the 1970s etc. to give a new one a shot.I will say that the Music Hall mini plus preamp tackled this issue by having a gain control. It is for MM and High Output MC Carts and does work great with my Denon DL-110. Not saying it compares to the one you mentioned, only that it is flexible enough to handle HO MC carts. One of the main reasons I bought it.
Why not just use the equipment you already have for now. In time, if you don't feel its "all that", then go get a new stand alone preamp with a trial return policy and give it a shot. See what YOU think about it.You guys are killing me. I'm such a NOOB in regard to phono preamps. To spend, or not to spend...that...is the question. lmao
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