And would there ever be a time that you think you’d be playing with Gavin Harrison again? Like on your solo albums, would you ever invite him in?
Well, actually Gavin did play on two songs on “To the Bone”, but I didn’t use his performances. Uh, not because he’s not great, it’s just, it’s always a stylistic thing. Gavin has a very strong style, and every drummer has their own personality. So there’s your answer: I worked with Gavin quite recently on “To the Bone” and he didn’t end up on the record, but he could have done. Yeah, we’re still friends and, and if it was the right material, I would certainly work with Gavin. Gavin is a very meticulous drummer. This album didn’t suit his style so well. It was a looser pop sensibility, again. I used a drummer who ironically is working with Gavin now in King Crimson, a guy called Jeremy Stacey, who in many ways is the complete antithesis of Gavin. He’s completely intuitive…kind of sloppy, but in a good way. Very beautiful feel. Whereas Gavin is always that meticulous, technical approach to drumming, which isn’t always right for what I do, but he’s an extraordinary musician, no doubt. But it has to be the right kind of material. But I would certainly would still think it’s more than likely that I would work with him again.