To broaden the time frame & album titles, submitted for your consideration:
These three stay at the top of my "Dylan in Surround" pile:
Bringing It All Back Home (1965) ~
She Belongs To Me
Electric band, Bruce Langhorne electric guitar LR
Bass + hi-hat RR
Blonde On Blonde (1966) ~
Absolutely Sweet Marie
Bob's vocal - C
JR Robertson trademark Tele LF+R
Drums, Al Kooper organ RF+R
Harmonica FULL QUAD IMMERSION
Edit / Rant: Low poll scores for this title, IMHO, reflects a basic misunderstanding of the 1966 vision of the mix, and a misguided application of Steven Wilson discrete, isolated, non-simultaneous tracking prog standards to a record of one-take live cuts that sound like you're in the room with the band.
At Dylan's request, Johnston removed the baffles—partitions separating the musicians,
so that there was "an ambience fit for an ensemble".
Buttrey credited the distinctive sound of the album to Johnston's re-arrangement of the studio,
"as if we were on a tight stage, as opposed to playing in a big hall where you're ninety miles apart".
Historian Sean Wilentz observed that "with the sound of 'Sweet Marie', Blonde on Blonde entered
fully and sublimely into what is now considered classic rock and roll."
Love And Theft (2001) ~
High Water (For Charley Patton)
Acoustic gits, banjos Fronts
Augie Meyers” discrete pumping Tejas accordion RR
Atmospheric ambient backing vocals LR
Thunderous bass bombs LFE
->
Moonlight
Brushes on drums mid-tempo ballad, acoustic & electric guitars,
immersive atmospheric surround , less raspy & nasal crooned vocal