- Joined
- Apr 9, 2012
- Messages
- 2,707
Hi Bmoura
Thank you for the review and general comments. In particular your remarks about Qsound are very accurate as we have experienced the same tracks. Qsound is a great format - just wish it was used more.
In regard to our comments on the comparison between Surround Master and Discrete formats, perhaps I should clarify. I think some of our more "sales" orientated claims that Surround Master decoding of stereo is always better than Discrete was a little over enthusiastic (but well meaning). My observations are as follows:
1 Discrete will almost always sound better and certainly more accurate for a NON encoded (no PL2, EV, QS) straight stereo recording. A good example is the straight unencoded Money on DSOTM - the discrete is definitely more accurate and sounds better.
2 We claim that when WE encode a discrete track with INVOLVE and decode the resultant "stereo" with INVOLVE that audiences prefer slightly (most cannot pick any difference) prefer the matrixed compared to the discrete. We claim that the INVOLVE decoder actually uncovers some additional detailed surround information missing in the discrete.
3 In our large demo home theater demonstration facility in Dromana/ Melbourne we have set up a $40K 7.1 based system by requesting the supplier to put in "the best" system they can do. It uses top end components including the Lexicon surround processor. In parallel with that system we installed a full INVOLVE system (with Total Perspective) that is driven from the L and R stereo composite. So far ALL listeners (test victims) we have trialled in the room definitely prefer the INVOLVE to the discrete when playing material with Dolby or DTS stereo composite against the discrete tracks. Again if the source material has been encoded I find we generally get preferred.
Hope that is clearer?????
regards
Chucky
Thank you for the review and general comments. In particular your remarks about Qsound are very accurate as we have experienced the same tracks. Qsound is a great format - just wish it was used more.
In regard to our comments on the comparison between Surround Master and Discrete formats, perhaps I should clarify. I think some of our more "sales" orientated claims that Surround Master decoding of stereo is always better than Discrete was a little over enthusiastic (but well meaning). My observations are as follows:
1 Discrete will almost always sound better and certainly more accurate for a NON encoded (no PL2, EV, QS) straight stereo recording. A good example is the straight unencoded Money on DSOTM - the discrete is definitely more accurate and sounds better.
2 We claim that when WE encode a discrete track with INVOLVE and decode the resultant "stereo" with INVOLVE that audiences prefer slightly (most cannot pick any difference) prefer the matrixed compared to the discrete. We claim that the INVOLVE decoder actually uncovers some additional detailed surround information missing in the discrete.
3 In our large demo home theater demonstration facility in Dromana/ Melbourne we have set up a $40K 7.1 based system by requesting the supplier to put in "the best" system they can do. It uses top end components including the Lexicon surround processor. In parallel with that system we installed a full INVOLVE system (with Total Perspective) that is driven from the L and R stereo composite. So far ALL listeners (test victims) we have trialled in the room definitely prefer the INVOLVE to the discrete when playing material with Dolby or DTS stereo composite against the discrete tracks. Again if the source material has been encoded I find we generally get preferred.
Hope that is clearer?????
regards
Chucky