[duplicate post]
Your amplification and amps are almost certainly sufficient (you're offloading most of the amp work to a sub, right?)
And your Audyssey woes are almost certainly off due to setup error, like incorrect mic placement, and not the software. Like Kal, I've never heard of anyone's Audyssey implementation shifting the rear content to front , and 'too much bass' is rarely the complaint either. Reading 'small' speakers as 'Large' *is* sometimsan issue but but it's easily corrected after the Audyssey run is done by setting the speakers to 'small' manually (and adjusting the crossover point if need be; I put them all at 80Hz regardless of what the Denon/Audyssey analysis tells me).
Dynamic Volume and Dynamic EQ are optional. I leave DV off and use DEQ sometimes when I'm listening way below reference level, to keep the MultiEQ curve in force. DEQ will *raise* the bass level if you use it (and aren;t listening near reference level).
With all respect, the idea that 88/24 conversion from DSD somehow 'ruins' it in any practical or audible sense, is silly audiophile mythology. DSD was developed as a PCM-friendly archival format, it was literally *designed* to be converted to PCM multiples of Redbook. And I'm confident Oppo gets the conversion technology right at this late date.
Meanwhile, *real* audible differences that might *really* benefit the user -- like "room EQ" and bass management -- are forsaken if you stick to pure DSD-->analog.
Oppo has released a beta test firmware update for their BDP-103 and BDP-105 Blu-Ray players that now will play back Stereo and Multichannel DSD (Direct Stream Digital) files !
I just received my 105 two days ago and love it! Are these beta releases "safe" or should I wait for the public release?
The current official FW will do it.
The current official FW will do it.
I abandoned disc media (now relegated to storage as 'archival copy') and have been able to playing multichannel files from a hard drive for several years now. So this development barely even registers on my radar. Buy a dedicated physical media player in order to play files from a thumb drive? No thanks.
Your kidding me right? So what's your setup? From a computer?
You seriously think sonically it would beat pure DSD 5.1 (unconverted to PCM out via analog out....) from a dedicated, electrically isolated player with a torroidal power supply, playing from a source without moving parts?
Think of the Oppo 105 as a new age SACD player set up like this (without even the disc drive)
All for around 1K...
Oh and its "toroidal", seriously...
With all due respect, don't do that. Use the Oppo's DAC. And output pure DSD via Analog out
Say what?
It's either analogue or it's pure DSD - you cannot have analogue DSD. It's an oxymoron.
The encoded on SACD files are DST files in DSDIFF (if done with the Philips tool) and are a different thing.
It's a complete waste of time & effort - 24/96 PCM is superior, less noise & easier to use.
Your kidding me right? So what's your setup? From a computer?
You seriously think sonically it would beat pure DSD 5.1 (unconverted to PCM out via analog out....) from a dedicated, electrically isolated player with a torroidal power supply, playing from a source without moving parts?
Think of the Oppo 105 as a new age SACD player set up like this (without even the disc drive)
All for around 1K...
Say what?
It's either analogue or it's pure DSD - you cannot have analogue DSD. It's an oxymoron.
The encoded on SACD files are DST files in DSDIFF (if done with the Philips tool) and are a different thing.
It's a complete waste of time & effort - 24/96 PCM is superior, less noise & easier to use.
I agree. DSD is actually the output of a 1-bit sigma-delta-DAC and relies on noise-shaping to push the quantisation noise out of the audible band, if this isn't done properly the results are awful. Sigma-Delta ADCs were originally used in low bandwidth systems such as Seismic recorders for the oil/gas industry. For SACD the sample rate used produces the equivalent to 20-bit/96kHz. PCM is technically superior at 24-bit/96kHz. That said I like SACDs they're an improvemnt on CDs. The thing that can ruin either SACD or DVD-A is poor mastering.
I agree. DSD is actually the output of a 1-bit sigma-delta-DAC and relies on noise-shaping to push the quantisation noise out of the audible band, if this isn't done properly the results are awful. Sigma-Delta ADCs were originally used in low bandwidth systems such as Seismic recorders for the oil/gas industry. For SACD the sample rate used produces the equivalent to 20-bit/96kHz. PCM is technically superior at 24-bit/96kHz. That said I like SACDs they're an improvemnt on CDs. The thing that can ruin either SACD or DVD-A is poor mastering.
Should have written 1-bit sigma-delta-ADC!
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